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TRƯỜNG THPT CHUYÊN
BẮC NINH
ĐỀ THI THỬ THPT QUỐC GIA 2019-2020 LẦN 1
Môn TIẾNG ANH
Thời gian: 50 phút
Mark the letter A, B, C, or D on your answer sheet to indicate the word whose underlined part differs
from the other three in pronunciation in each of the following questions from 1 to 2.
Câu hỏi 1 (NB):
A. passed
B. wished
C. touched
D. moved
Câu hỏi 2 (NB):
A. blood
B. pool
C. food
D. tool
Mark the letter A, B, C, or D on your answer sheet to indicate the word(s) OPPOSITE in meaning to
the underlined word(s) in each of the following questions from 3 to 4.
Câu hỏi 3 (TH): He was so insubordinate that he lost his job within a week.
A. understanding
B. obedient
C. fresh
D. disobedient
Câu hỏi 4 (VDC): I had no idea that you and he were on such intimate terms. I thought you were only
casual acquaintances.
A. were hostile to each other
B. behaved well toward each other
C. hardly knew each other
D. were such close friends
Mark the letter A, B, C, or D on your answer sheet to indicate the word that differs from the rest in the
position of the primary stress in each of the following questions from 5 to 6.
Câu hỏi 5 (NB):
A. reflect
B. contain
C. purchase
D. suggest
Câu hỏi 6 (NB):
A. possession
B. politics
C. decision
D. refusal
Read the passage and mark the letter A, B, C, or D on your answer sheet to indicate the correct answer
to each of the questions from 7 to 14.
The sculptural legacy that the new United States inherited from its colonial predecessors was far
from a rich one, and in fact, in 1776 sculpture as an art form was still in the hand of artisans and
craftspeople. Stone carvers engraved their motifs of skulls and crossbones and other religious icons of
death into the gray slabs that we still see standing today in old burial grounds. Some skilled craftspeople
made intricately carved wooden ornamentations for furniture or architectural decorations, while others
carved wooden shop signs and ships' figureheads. Although they often achieved expression and formal
excellence in their generally primitive style, they remained artisans skilled in the craft of carving and
constituted a group distinct from what we normally think of as "sculptors" in today's use of the word.
On the rare occasion when a fine piece of sculpture was desired, Americans turned to foreign
sculptors, as in the 1770's when the cities of New York and Charleston, South Carolina, commissioned
the Englishman Joseph Wilton to make marble statues of William Pitt. Wilton also made a lead equestrian
image of King George III that was created in New York in 1770 and torn down by zealous patriots six
years later. A few marble memorials with carved busts, urns, or other decorations were produced in
England and brought to the colonies to be set in the walls of churches - as in King's Chapel in Boston. But
sculpture as a high art, practiced by artists who knew both the artistic theory of their RenaissanceBaroque-
Rococo predecessors and the various technical procedures of modeling, casting, and carving rich three-
dimensional forms, was not known among Americans in 1776. Indeed, for many years thereafter, the
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